somenicefonts:

Free, open source font pack!

This is a folder full of free to use fonts I put together after too many hours spent looking for nice ones on the Internet. All these typefaces are licensed under the Open Font License, which basically allow you to use them freely.

I would recommend crediting the font name and author if you use them. They’re usually easy to find by googling “{the name of the font} font”. The license text and FAQ can be found in the zip file.

I usually try to only keep complete, decent quality fonts, but you will find a bit of everything: from well-finished typefaces with many styles and large language support to basic characters-only stuff. Quirky fonts, pixel fonts, sans-serif and serif, there’s a lot to explore!

Have fun out there :)

Open Font License Fonts.zip

Shared with Dropbox

Dropbox

(via gaylienz)

swordshapedleaves:

justalurkr:

This is basically what my physical therapist had me do for my back problems last year and it helped with the pain so much! Also walk for at least thirty minutes a day, even if it’s just in small chunks throughout the day.

(via raggedywings)

accessibleaesthetics:

Here is a (non-exhaustive) list of free resources for different sign languages:

• American Sign Language (ASL)
• Australian Sign Language (Auslan)
• Black American Sign Language (BASL)
• British Sign Language (BSL)
• Chinese Sign Language (CSL)
• Emirati Sign Language (ESL)
• French Sign Language (LSF)
• Indian Sign Language (ISL)
• International Sign Language (IS)
• Irish Sign Language (ISL)
• Japanese Sign Language (JSL)
• Mexican Sign Language (LSM)
• Plains Indian Sign Language (PISL)
• Ukrainian Sign Language (USL)

Please feel free to add on if you know of others, be it more resource for one of the sign languages above, or resources for learning any of the other 300 plus sign languages.

(via lupismaris)

nikkiscarlet:

jammerlee:

psshaw:

psshaw:

IF YOU’RE READING THIS I NEED YOU to go to neocities.org and make an account.

It’s an emergency. Look. People are really getting into it now. Do you want to be the last kid on your block still depending on corporate social media for your self-actualization?

I sharpened my skills making psshaw.neocities.org and it’s still made up of mainly basic code like <img> and <table> tags. It’s only in the later pages that I’ve decided to try advanced stuff like responsive CSS.

naalbraxusmazkelix.neocities.org is even simpler, to resemble something built in the late nineties.

I feel like there’s so much personality that’s just waiting to be brought back into Web 1.0. It’s a whole sandbox you can learn how to wrangle, and shockingly fast. I want to see what everyone can do!

Okay, I’ve been on the internet since before the great Y2K scare and *old person voice* Back in my day, everyone had websites like this. I had several. It was normal, everyone’s websites were a reflection of themselves and their interests, and it was beautiful. I’ve been lamenting a lot lately missing this era because of how badly social media has distilled and homogenized the internet experience

Your sites remind me so much of web 1.0 and it’s beautiful. I love this. Please keep doing this. Please keep expressing yourself.

Please everyone bring this back. Bring back personality, bring back individuality, bring back fun

And if you’d like to have a fine pairing to go with your website, I suggest going to proboards.com and setting one up. Still want social media, but want a smaller and more close-knit community without the same constant fear of some rando finding you and sending you threats, or something accidentally going viral and giving you a panic attack? Individual forum communities. You make your own rules, you can make your own aesthetic, and if you use add-ons or know CSS you can get a lot of customization. Also, forum signatures! They’re a great quick little way of expressing yourself! Use imgur.com to host your images! 

Seriously, Forums are AMAZING for sharing both long and shortform content, shitposts, art and writing, everything! Love roleplaying? They’re the best and most organized way to do that and be able to have everything tidily archived and easy to search for!

And best of all, you don’t have shit like twitter’s algorithm breathing down your neck or promoted shit being shoved in your face!

Please please please if you hate all this corporate homogenizing bullshit and attempts to do shit like manufacture fandom, this is a way you can fight back and express yourself!

I’m seeing people in the notes going “that sounds nice and all but I don’t know how to code.”

Friends!

There are resources to make it easier!!

And you don’t have to make a website that looks like a shining, professional corporate product. You can just kind of slap some colours and images on a webpage and add to it from there, as you learn. I learned to build basic websites when I was 10. It’s a little more work than just signing up for a social media profile and filling out a few forms, but it’s so incredibly rewarding when you start to see your idea taking shape.

And there’s a whole community of people out there who want to see you succeed and would be happy to help. Check out the Yesterweb, they’ve got a Discord community and a Mastodon instance and even a Minecraft server. Sadgrl/Sadness, who runs the community, is super sweet and helpful. They’ve got a ton of manifestos from community members about why it’s so important to bring back the spirit of the old web. Oh, and they hate crypto, so you know they’re not just a bunch of tech bros.

I’ve also seen people in the notes saying “But nobody’s going to follow me there.” That is always a concern when it comes to moving to any new space on the web, especially if it’s outside the big social media platforms, but even though I’m a huge supporter of reducing and/or entirely removing your presence on the big platforms, there’s no one saying you can’t stay on them in order to keep in touch with the people who matter to you — or even to use those platforms to promote your site! I’ve distanced myself from Facebook, for example, but I still have an account there and keep the Messenger app open. I’ve set it so I appear offline to everyone, but I’ve told the people I care about that I’m still there and they can reach me any time, I just won’t look like I’m online. You can use status updates/tweets/posts/whatever to tell people “Hey, I added an art gallery to my website!”, “Hey, I added my latest fic to my website!”, “Hey, if you’ve ever wanted to learn everything there is to know about snow leopards, they’re my special interest and I’ve built a web shrine to them now, so check it out at this link.” You can set up a guestbook or a forum on your website to keep the lines of communication open. And Neocities is set up in such a way that you can make new connections with other people in the community. So not only can you still keep in touch with everyone you still want to keep up with, but you can also make new friends and follow new people!

Really, the only big drawback is that you’d have to accept that it’s a bit of a slower space. The old web wasn’t about a constant deluge of new content from one source — it was about exploration. It was about going down rabbit holes and finding all the weird content that makes you happy in a bunch of different places, and keeping those sites bookmarked for whenever you want to check them out again rather than following their feed. But you even can follow them on a feed — even if they’re not on Neocities — if you use RSS. And with RSS, there’s no algorithm and no advertising. It’s just simple, chronological updates.

There’s a bit of an extra learning curve if you want to get in on this stuff, but it is so, so worthwhile, and honestly so much better for your mental health. A slower web built around your specific interests means less algorithmic outrage culture: you’re not constantly being shot with a firehose of all the most controversial content to keep you angry and clicking. You’re just having a nice time building your little dedication to nice things that you like, or expressing yourself, or learning new things, and meeting new people who are interested in those things. It’s lovely and especially if you were never around for the old web, you deserve to experience it.

(via micaxiii)

monitor-offist:

theculturedmarxist:

ALT

>First, we’ve discovered that about a quarter of all the internet connection in or out of the house were ad related. In a few hours, that’s about 10,000 out of 40,000 processed.

>We also discovered that every link on Twitter was blocked. This was solved by whitelisting the https://t.co domain.

>Once out browsing the Web, everything is loading pretty much instantly. It turns out most of that Page Loading malarkey we’ve been accustomed to is related to sites running auctions to sell Ad space to show you before the page loads. All gone now.

>We then found that the Samsung TV (which I really like) is very fond of yapping all about itself to Samsung HQ. All stopped now. No sign of any breakages in its function, so I’m happy enough with that.

>The primary source of distress came from the habitual Lemmings player in the house, who found they could no longer watch ads to build up their in-app gold. A workaround is being considered for this.

>The next ambition is to advance the Ad blocking so that it seamlessly removed YouTube Ads. This is the subject of ongoing research, and tinkering continues. All in all, a very successful experiment.

>Certainly this exceeds my equivalent childhood project of disassembling and assembling our rotary dial telephone. A project whose only utility was finding out how to make the phone ring when nobody was calling.

ALT

>Update: All4 on the telly appears not to have any ads any more. Goodbye Arnold Clarke!

ALT

>Lemmings problem now solved.

>Can confirm, after small tests, that RTÉ Player ads are now gone and the player on the phone is now just delivering swift, ad free streams at first click.

>Some queries along the lines of “Are you not stealing the internet?” Firstly, this is my network, so I may set it up as I please (or, you know, my son can do it and I can give him a stupid thumbs up in response). But there is a wider question, based on the ads=internet model.

>I’m afraid I passed the You Wouldn’t Download A Car point back when I first installed ad-blocking plug-ins on a browser. But consider my chatty TV. Individual consumer choice is not the method of addressing pervasive commercial surveillance.

>Should I feel morally obliged not to mute the TV when the ads come on? No, this is a standing tension- a clash of interests. But I think my interest in my family not being under intrusive or covert surveillance at home is superior to the ad company’s wish to profile them.

ALT

ALT

>Aside: 24 hours of Pi Hole stats suggests that Samsung TVs are very chatty. 14,170 chats a day.

>YouTube blocking seems difficult, as the ads usually come from the same domain as the videos. Haven’t tried it, but all of the content can also be delivered from a no-cookies version of the YouTube domain, which doesn’t have the ads. I have asked my son to poke at that idea.

ALT

fastest reblog in the west

(via owlmylove)

emeryleewho:

I’ve noticed that people take writing advice way too literally and then get really mad about it, so here’s a quick guide of what the typical “bad’ writing advice is actually trying to tell you.

[Note: you don’t have to take literally any piece of advice. It’s just there for your consideration. If you hate it, leave it and do things the way you want. But the reason all of this advice is regurgitated so often is because it has helped a lot of people, so it’s okay if it’s not for you, but it may still be life changing for someone else.]

1. Write Every Day

"Write every day” is NOT supposed to be a prescriptivist, unbreakable rule that dictates anyone who doesn’t write literally every day isn’t a real writer. It’s supposed to be a shorthand way of saying “establish a writing routine. Get used to writing at certain times or in certain places or in certain patterns, both so that you can trick yourself into writing even when you don’t feel like it by recreating certain conditions, but also because if you only write "when you’re in the mood”, you may never get around to finishing a project and you likely won’t be able to meet publishing deadlines if you decide to pursue publication.“

The point of this advice is basically just to get used to seeing writing as part of your daily routine, something that you do regularly. But if you decide you can’t write on Tuesdays or weekdays or any day when you have certain other activities, that’s literally fine. Just try to make it a habit if you can.

2. Show Don’t Tell

"Show don’t tell” DOES NOT AND HAS NEVER meant “never state anything plainly and explicitly in the text”. Again, “show don’t tell” is a shorthand, and its intended message is “things tend to feel a lot more satisfying when your reader is able to come to that conclusion on their own rather than having the information given to them and being told they just have to accept it.” It’s about giving your reader the pieces to put the puzzle of your book together on their own rather than handing them a finished puzzle and saying “there. take it.”

So if you have a character who’s very short-tempered, it’s typically more satisfying that you “show” them losing their cool a few times so that the reader can draw the conclusion on their own that this character is short-tempered rather than just saying “He was short-tempered”. Oftentimes, readers don’t want to take what you tell them at face value, so if you just state these sorts of details, readers will push back against that information. People are significantly more likely to believe literally any information they are able to draw conclusions on without being told what to believe, so that’s where this advice comes in.

3. In Medias Res

This one is so often misunderstood. “In medias res” or “start in the middle”, DOES NOT MEAN to literally start halfway through your plot. It also DOES NOT MEAN that you should start in the middle of an action packed scene. It just means that when you start your story, it should feel like the world and the characters already existed before we started following them. It shouldn’t feel like everything was on pause and the world and characters only started acting the moment the story begins.

This is why starting with a character waking up or something similar can feel jarring and slow. We want to feel instantly compelled by your character, and the most efficient way to do that is [typically] to have them already doing something, but that something can be anything from taking a shower to commuting to school to chopping off a dragon head. We just want to feel like the story is already moving by the time we enter.

4. Shitty First Drafts

The idea that you should let your first draft suck and not revise it as you go is a tip presented to combat the struggle a lot of people have with not being able to finish a draft. If you find you’ve been working on the same first draft for five years and barely gotten anywhere, you might want to try this advice. The point is to just focus on getting to the ending because finishing a draft can give you renewed energy to work on the book and also makes it easier to get feedback from readers and friends.

That said, if your story is flowing fine even as you go back and make edits, then don’t worry about this. This is advice specifically designed to target a problem. Likewise, this doesn’t mean that you can’t clean up typoes when you see them or even make minor edits if you want to. It just means not to let yourself get completely bogged down by making changes that you never move forward.

A “shitty first draft” also doesn’t mean that your story has to be completely illegible. It just means that you shouldn’t let perfectionism stop you yet. I see a lot of people say “well, I can’t keep going until this first part makes sense”, and that’s totally reasonable! Again, the point of this advice is just to get you out of that rut that keeps you from making progress, but if you spend a couple weeks editing and then move on or you find the book is still making forward strides while you edit, then you’re fine. You don’t need this.

5. Adverbs

The idea that you “shouldn’t use adverbs” DOES NOT MEAN that any time you use an adverb, you’re ruining your story. It just means that you shouldn’t *rely* on adverbs to carry your story, namely in places where stronger verbs or nouns would do a lot more heavy lifting.

For instance, you can write “she spoke quietly”, but generally speaking, that “quietly” there is a lot weaker than just subbing out this clause for “she whispered”. You probably have the word “spoke” all over your draft, so subbing out one instance of it here for a stronger verb in place of the same verb + an adverb makes for stronger prose. This doesn’t mean that you’ll never want to use the phrase “spoke quietly” over the word “whispered”. For instance, if I write, “When she finally spoke, she spoke quietly, like that was all the volume her weakened lungs could muster.” In this case, I’m using “spoke quietly” specifically *because* it echoes the previous spoke earlier in the sentence, and it evokes a certain level of emotion to have that repetition there. I also used it because she’s not actually “whispering”, but trying to speak at full volume only to come off sounding quiet.

So when people tell you to cut adverbs, they’re saying this because people often use adverbs as a crutch to avoid having to seek out stronger verbs. If you’re using your adverbs intentionally, having considered stronger verbs but ultimately deciding that this adverb is what does the job properly, then there’s nothing wrong with using them. This is just a trick to help you spot one common weakness in prose that a lot of authors don’t even realize they have.

6. Write What You Know

This is potentially the single worst-underestood piece of writing advice. “Write what you know” DOES NOT MEAN to write only what you know or that you have to put all of your life’s knowledge on the page. It just means that drawing from your own experiences and already there knowledge will help you craft a better story.

So, for instance, being an eye doctor doesn’t mean you have to write a story about an eye doctor. It doesn’t even mean you need to write a story that directly deals with any eye knowledge. It just means that there are likely things you’ve experience as an eye doctor that can help inspire or inform your story. Maybe you remember a patient who always wore the same yellow shoes, and so you include a character who does exactly that. Maybe you spent a lot of hours dealing with insurance so you decide to write about insurance agents. Maybe your practice was located next to a grocery store so you decide to write a zombie apocalypse story that takes place in a location inspired by that shopping center.

The point is that, as people, our lived experiences allow us to relate to other people and craft more believable worlds. So don’t limit yourself to your lived or experience or feel obligated to only write the things you’ve done, but when you find yourself wondering what to write about next or how to give a character more depth or how to describe this random location, pull things from your life and let what you already know bring a certain level of unique you-ness to your writing.

And the MOST important advice I can give you is to stop looking at writing advice as some holy, unbreakable rules passed down by the gods that you cannot ever deviate from. And if a piece of advice sounds totally bonkers, do some research on it. There’s a good chance that whoever’s passing it to you has no idea what they’re talking about. But even if every other writer swears by a certain piece of advice, you absolutely do not need to take it. Try it on if you want, and throw it away if you don’t, but stop making yourselves miserable by letting random internet people dictate your life. Most people giving advice on the internet aren’t where you want to be anyway, so don’t expect them to be able to guide you somewhere they’ve never been.

Everything’s made up, and nothing matters. Write what you want.

(via theliteraryluggage)

drunkharry:

this book website gives you the first page of a random book without the title or author so that you can read it with no preconceptions!!! great for discovering new recs

(via ominouslyqueer)

opheliabpd:

Hello everybody! I was just thinking about how I always recommend people who can’t get therapy to use workbooks, so I thought I’d make a quick list of some you could look at. I’m not comfortable recommending books for things I have not struggled with (like, if I was looking at the description of a book on OCD I’d have no idea if it was good or not) but I think I’ve covered a lot. Some of these are series which have workbooks for specific disorders like bipolar, etc., if you want to find some. Plus, you don’t have to be diagnosed with something to use a workbook if you think it’ll help you.

Workbooks are sometimes made to be done in conjunction with therapy, or something like that, but anyone can still get something out of them if you put in regular work and try to apply the skills.

I’ve linked them all the Amazon because they’re usually cheaper on there.

For reference: DBT = dialectical behaviour therapy, CBT = cognitive behavioural therapy, ACT = acceptance and commitment therapy

Anxiety, Depression, and Intrusive Thoughts

• The CBT Anxiety Solution Workbook
  
• The Anxiety and Worry Workbook
  
• The DBT Skills Workbook for Anxiety
  
• The Anxiety Toolkit
  
• Depressed and Anxious: The DBT Workbook
• The Mindfulness and Acceptance Workbook for Depression
  
• The Cognitive Behavioural Workbook for Depression 
• Overcoming Unwanted Intrusive Thoughts 
  
• The Anxious Thoughts Workbook
  

Borderline Personality Disorder

• The BPD Survival Guide
  
• Stronger Than BPD
• You Untangled
  
• Mindfulness for BPD
• The BPD Toolbox
• Beyond Borderline: True Stories of Recovery 

Interpersonal Problems

• The Interpersonal Problems Workbook 
  
• ACT for Interpersonal Issues 

Anger

• The DBT Skills Workbook for Anger
• The Anger Workbook for Teens
• Anger Management for Everyone
• ACT on Life Not on Anger
  

Trauma and PTSD

• Overcoming Trauma and PTSD
  
• The PTSD Workbook For Teens
  
• The Complex PTSD Workbook
• You Empowered

Self Harm

• Freedom from Self harm
  
• Stopping the Pain: A Workbook for Self-Injury
• Rewrite: The Journey from Self-Harm to Healing
  

General Emotional Issues/Multiple Disorders

• Letting Go of Self-Destructive Behaviors: A Workbook 
  
• The DBT Skills Workbook
• Don’t Let Emotions Run Your Life
• The Mindfulness Solution for Intense Emotions
• The Mindfulness-Based Emotional Balance Workbook
  
• Thoughts and Feelings: Taking Control of Your Moods Workbook